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Monday, October 26, 2026

New Work Underway: The Homeland Captives

Promo art for art from Chapter 1, "The Hamptons Are Not a Defensible Position," from my work in progress  "The Homeland Captives." Copyright 2025 by Pat Powers.
 
I've been working on a story about a raid conducted during a second American civil war set not TOO far in the future. It's the Usual Suspects vs Real Americans, by which I mean Trump's America vs. the Northwest and the West Coast plus a few other states (Colorado, Michigan, Minnesota, etc.) I call it "The Union" vs. "The Homelanders."

The war is largely fought with drones and robots but there are also human soldiers and many of human casualties. After a couple of years of war the hatred runs deep. There are massacres, mass executions and rape on both sides, mostly by adrenaline-soaked soldiers who have learned to hate the enemy deep in their souls thanks to the horrors of war.

Against this background, with the Union and the Homelanders on the East Coast basically stalemated (things have recently gone far better for the Union's West Coast forces) the Homelanders launch a daring raid on the Hamptons. The Hamptons are famously not a defensible position, but they are well covered by New York City's drone and robot defenses. 

But the Homelanders manage to sneak a stealth sub into the Hamptons, and conduct a raid on the "cottages" (in fact they are beachside mansions) on Shelter Island in the Hamptons. The raid is designed to capture wealthy New Yorkers (think "billionaires") who can be ransomed back to the Union for huge sums of money, and to capture attractive young-ish women who can be used as sex slaves to slake the sexual needs of Homelander soldiers (made fierce by the horrors of war) thus saving the female flowers of the Homeland from having to slake such needs. (The real point of the mission is to bring the pain of the war home to the Union's billionaires, letting them know that the Homelanders could strike them even at home.)

The bulk of the story is about the captive women from that raid, destined for a Homelander sex slave camp. I'm about 20,000 words into it, but it's far from complete. I'm open to suggestions about changes in character, tone and plot. Here's a rough outline of the plot:

1. Protagonists get captured by Homelanders in raid.

2. Wind up in cells in a sex slavery camp whose location they don't known (they are kept drugged and unconscious the whole trip). They are kept naked and in bondage in their cells but are allowed to talk among themselves. 

3. Each day all of the young ones (there is one middle aged woman who is wealthy) are hauled away by guards and taken to sex rooms where they are put in half hoods and bound to bondage furniture leaving theit asses, vaginas and mouths open to the men who come into the cell to fuck them all afternoon and into the late evening. Then it's back to their cells.

4. I have used "fade to black" for what happens in the sex rooms. I make it very clear what happens, but I don't describe it at all. I'm doing that with the thought that I might be able to use the John Norman technique: set up situations with plenty of fantasy fuel for readers but no hardcore stuff. It certainly worked for the Gor novels. 

4a. I am not certain this will work for me. Times have changed since the 1970s and 1980s romance readers who enjoy slavegirl themes/rape themes switched from the often very tame "bodice ripper" romances which explored such themes (never explicitly, or even close to that) to the Gor novels. There was nothing like the Gor novels out there then. Nowadays the success of "50 Shades of Gray" (70 million copies sold in the first year) has convinced trad publishers that there is a huge well of interest among women for kinky BDSM and it has actually spawned a romance subgenre, "Dark Romance," which is full of rape by powerful men and relationships that are semi-consensual, at best. So there's no big pent-up demand for such stories, as there was in Norman's times, and in 50 Shades' time.

5. Making the sex more explicit might actually work better in the marketplace, attracting Dark Romance readers, except there's no romance in my story. The women are kept hooded, gagged and bound to a rape rack while they are being raped by the Homelander soldiers. There's no real communication there. So I'm kinda hung up on how to proceed. If I go the hardcore rape bondage no romance route, the story becomes a Great Escape story about a bunch of plucky female prisoners who band together to do what they need to escape/get rescued. Which is a pretty good story, but not a very erotic story.

Of course I have lots of room for character development with the female characters as they deal with the effects of being repeatedly raped, day after day after day. One is a submissive who ordinarily enjoys being bound, gagged and raped, but always with men she knows and likes and with full consent. She hates being treated as a human fleshlight. The other two young women are vanilla, but generally sex-positive. The wealthy one is excused from being raped, since she's wealthy enough to be ransomed, which leaves the threat that she be pur on rape duty if she's not ransomed, making her more motivated to get ransomed.

5. My proposed plot mechanism: the sex slave prison is basically an factory/old warehouse facility that has been hollowed out and renovated into a prison. Sometime during the construction an old bank giveaway pen was left sitting on an interior beam by a carpenter or an electrician. The pen is found by an inmate accidentally, and she hides it in her butt. She hides it because it is imprinted with the name of the bank and the town it was in. That town name is the vital clue that will tell Union rescuers where the camp is located. The pen reaches the protagonists, and specifically the middle-aged wealthy woman who gets ransomed. Shortly after she's ransomed she tells Union intelligence the name of the city is located and a rescue raid occurs. The end.

I'm open to suggestions with regard to plot, characterization, anything. I'm not thin-skinned about my work, I've published 80 or so novels and novelettes, so it's not like you're criticizing my very first story.

That said, here's the first chunk of story. I write in 2000-word blocks, so I have nine more blocks written, with more to go. Hope to hear from readers about it. I may or may not take your suggestions, but I promise I will read them and think about them:

 The Homelander Captives

Chapter 1: The Hamptons Are Not A Defensible Position

“It’s times like this I hate those fucking Homelanders so much,” said Misti Schoonhed as she sat on the deck of the Bruckner “cottage” on Shelter Island in the Hamptons. It was a small cottage by Hamptons standards, just 20 rooms and two pools and a pier.

“Why now in particular?” asked Anya Katchatourian. She was sitting next to Misti along with Steffi Hotch. They were all drinking, Anya and Misti were having wine coolers and Steffi was downing a fortified brandy. The cottage was owned by a media magnate, and he’d invited Anya, Misti and Steffi, among others, to a weekend-long stay that was in fact a weekend-long party.

Misti drank in the atmosphere, the warm midsummer night, the gentle breezes coming in from the ocean, the lights of the city’s skyscrapers glittering as they reached up into the sky. It wasn’t what she lived for, but it was a VERY nice experience, drinking on this porch and talking to some very sharp minds.

“Every time I’ve partied at the Hamptons there’s been local crab dips,” said Misti. “But with the war the fishermen won’t go out and fish, they’re afraid they’ll get droned. It’s all imported crap from the Pacific Coast. King crab, tiger prawns. I mean it tastes all right but it’s long frozen. Not like the local stuff.”

“Awww, the local fishermen won’t risk their lives to make your tastebuds happy,” said Steffi. “Such a bummer!”

“I’m not mad at the fishermen, I’m mad at the Homelanders,” said Misti. “They’ve turned life here into one long festival of stupidity and cruelty with all their fucking drones and bot attacks.”

“I blame Drump,” said Anya. “If he’d had half a brain and been able to accept when he lost back in ‘28, this war would never have happened.”

I blame the old Democrats,” said Misti. “They let this happen. It’s like they thought Project 2025 was a Democratic proposal or something.”

“What do you mean by that?” Anya asked.

“You know, the Democrats never quite managed to enact the things they campaigned on once they get into office, no matter what,” said Misti. “All I can figure is that even though everyone knew that Drump is an idiot who’ll sign anything his advisors give him to sign, and that he loves anything that increases his power and prestige, and that Project 2025 does exactly that, the Democrats thought it was just a bluff to get elected. Very stupid of them.”

“Well it’s not like any of them are going to get re-elected, kid,” said Steffi.

“Yeah, if we ever have elections again,” Misti said.

“Oh, we will have elections again when we beat those Homelanders,” said Steffi. “The Homelanders won’t get to vote in them, but we will.”

A blur moved through the air just outside the circle of light cast by the porch lights and the fountain lights.

“What was that?” Misti asked, startled. She was a bit sleepy-eyed in appearance, but was in fact very observant.

“Probably an owl,” said Steffi.

“I thought it might be a drone,” said Misti.

“If it was a kill drone we’d know, because we’d all be dead,” said Steffi.

“Probably a watcher drone,” said Anya. “All the places here have them now.”

“AAAA…” Misti started to scream as she saw a doglike killbot ease out of the shadows. Laser guides lanced out from the weapons cluster that was the killbot’s “head.” As each laser touched the three women they collapsed in their chairs. The lasers were just targeting lasers, but they were linked to stunguns that knocked out the targeted people instantly.

The killbot ran into the house, followed by half a dozen other killbots and they ran through the rest of the “cottage” and knocked out the twenty or so people inside.

“No warnings I could detect,” said a man sitting in a room several hundred miles away, looking at several screens showing the feeds of several killbots. “Caught ‘em sleeping and put ‘em to sleep.”

“Push on then, let’s fill the boat if we can,” said another man. “Collectors are almost there.”

“Right,” said the first man.

The killbots ran out of house, leaving the unconscious humans there, as they headed to raid another “cottage.”

A few moments later four humanoid bots ran into the house at high speed. They ran through the mansion and made sure all was secure, then one of them went to the mansion’s security room. It jacked into an input port with a wire it pulled from its torso and took over the cottage’s security system. Now the feed from the cameras in the cottage would not show any disturbing images of people being stolen.

Then the robots began methodically stripping the people in the cottage of their clothes and binding their wrists and ankles and putting heavy steel collars around their necks. They also wrote identifying numbers on the people’s chests with special magic markers. The same number was attached to bags containing the clothing they had stripped off the people, and the contacts of their purses and pockets as well.

While that was happening a large vehicle made its way to the cottage’s front yard. It looked like a pontoon boat with wheels, about the size of a five meter rental truck, but much lower to the ground. The humanoid bots began picking up and carrying the naked unconscious people to the “truck” and laying them inside it. They moved with inhuman speed and sureness but they were also very careful with their charges, laying them delicately into the truck and securing them to chains attached to rings set in its floor via the collars fastened around their necks.

Once the house was emptied, and it didn’t take long at all, the truck trundled back to the beach and drove into the water. Once it was floating the wheels turned up and a propeller lowered into the water. The “truck” moved several hundred meters from the beach until it reached the relative depths of the Shelter Island Sound. There it stopped until a conning tower rose from the Sound. The submarine the tower was attached to stayed beneath the surface, its black surface hidden by the black surface of the water at night.

A magnetic grapple shot from the conning tower and hit the water truck. The grapple pulled the truck in toward the conning tower until it was just a few meters from the tower. One of the two humanoid robots in the truck rose and shot a magnetic grapple at the conning tower. Another humanoid robot in the conning tower grabbed the grapple and secured the wire it was attached to to a pulley rig bolted to the tower. The wire rattled as it was moved, because there were thick, blunted hooks hanging from it.

The robot ran out a few meters of wire and reattached the magnetic grapple and shot the wire back to the water truck. A robot in the water truck took the wire and connected it the other end of the wire, which was lodged securely in a second pulley mounted to the bow of the water truck.

As soon as this was completed the other robot held up the limp body of one of the people from the water truck. The first robot grabbed the unconscious woman’s wrists and carefully put one of the hooks dangling from the wire under the chain between her cuffs. It carefully lowered the naked unconscious woman who was now dangling by her wrists.

It began hauling on the upper wire, causing the unconscious woman to move out over the water. As soon as the other robot brought up another person, the robot repeated the process, leaving the woman dangling over the water.

When the unconscious bodies reached the conning tower the robot there removed them from the wire and handed them to another robot in the tower, who handed them down to a robot at the base of the tower, which placed it in a cot in the submarine.

In this way every person in the water truck was transferred to the submarine in about 15 minutes, the robots moving with their usual inhuman speed and skilled. The last transfer was a big canvas bag containing the clothes and property of the captives.

As soon as the people were all in the submarine the grapples were detached and the submarine submerged and the water tank headed back to shore for another load.

Inside the submarine the light were low (the bots camera sensors were very adjustable). The five bots that crewed the sub moved silently among the captives as the sub quietly rested on the bottom, waiting for the signal that another load was ready.

The first thing the bots did was go through the captives’ belongings. They wanted to find anything that might contain a GPS transmitter, especially cell phones. They destroyed and then threw any GPS-likely object into a weighted bag. They removed the batteries on all of the phones, but kept the phones. As soon as all the possessions had been checked, the bag of suspect devices was shot out of a torpedo tube, landing hundreds of meters from the sub. All that was visible on the surface was a trail of bubbles.

The bots placed medical sensors on the bodies of their captives and secured them to the cots with leash chains. They also injected the captives with a sedative that would keep them unconscious for the entire voyage.

The sub picked up two more loads and was full, and it was also close to the allotted time for the raid to end. The longer they stayed, the higher the chances they would be discovered.

Then the sub left and made its journey to its sheltered base in the Homeland, staying as deep as possible all the way. If a Union sub found them all the equipment and bots would be lost, along with the captives. There were no Homeland humans on board.








Chapter 2

Hunh?


Misti woke up slowly. Her body ached fiercely. She tried to move her arm to adjust her body to make the pain go away, but there were problems.

The she realized her hands were cuffed behind her back which ran through her like a jolt of adrenalin. The last thing she remembered was sitting on the front porch of the cottage in the Hamptons. There had been a bird. Then nothing.

Misti opened her eyes and gazed as the prison cell she and four other women occupied. It had a generic prison look to it. Except all the women were naked. Including Misti.

“What the hell?” Misti cried.

“Keep it quiet, Misti,” said a voice. Misti looked in the direction of the voice and saw a naked woman with her hands cuffed behind her back. Like Misti’s. Misti recognized her. She was Lisa Slazenger.

“Lisa!” Misti cried. They’d met at a few media events. “What are you doing here? What am I doing here? What are all of us doing here?”

Misti recognized Anya and Steffi in the room.

“Do you have any idea what’s going on here?” Misti asked. “Why are we all naked?”

“Yeah, I pretty much know what’s going on here, I’ve been here a few weeks,” Lisa said. “I hate to have to be the one to tell you, but welcome to sex slavery, Misti.”

“What!?” Misti cried.

“You heard me,” said Lisa. “You’re a sex slave now. As am I. As are we all.”

“Bullshit,” said Misti.

“Well what the hell do YOU think we’re all doing in a cell, naked and cuffed?” Lisa asked. “You think we all got pulled over for DUI in our sleep?”

“Last thing I remember we were on a porch in the Hamptons,” said Steffi. Her low southern voice was almost rumbling. She’d clearly just awakened.

“Yeah, well about that, word is that you were all captured in a raid up North,” said Lisa. They caught a lot of you. Like, a couple of hundred or so.”

“Why the hell would they raid the Hamptons?” Anya asked.

“Just guessing, they were after some big New York fish, bankers or whatever, and you guys were the bycatch,” said Lisa. “Attractive women are always a premium.”

“That’s very nice of you to say,” said Steffi dryly.

“I’m not sure why you’re here,” said Lisa. “You don’t fit the mold.”

“Steffi was with us on a porch at the Bruckner cottage in the Hamptons,” said Anya. “There was a big party, but no local crabmeat.”

--End first chunk--

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