Rich Bitch, Prison Bitch, the first book in the Prison Bitch series, had too much plot for an erotica novel. I had to get fancy with the timelines to keep the story sexy, bringing the sexual bondage and rape elements forward and running them in counterpoint to the story of a rich girl who’s set up to take a very public fall for a bank’s pump and dump scheme and goes to jail for it.
But at the start of Prison Bitch 2, our protagonist Kimberly Halstead is fully ensconced in Brookhaven Prison, and she’s already a sex slave in Club Rape. And she remains a sex slave in Club Rape’s harem for the entire length of the novel, giving me the opportunity to write about the goings-on at Club Rape at length. I detail not just all the sexual bondage and rape that Kim experiences, but also the sexual bondage and rape that the other sex slave inmates experienced in Club Rape.
That’s a LOT of sex scenes. Which is exactly what I wanted. I used two main techniques to keep them fresh and evolving over the course of the story. 1) I put Kim through some emotional and sexual changes over the course of the novel and 2) I used the fact that the guard’s sex harem dungeon had to be easily and quickly convertible to an institutional employee break lounge in case there was a surprise inspection of the facilities by some high-up prison official or politician, or even worse, some goody-two-shoes organization. Fortunately the guards have had years to come up with imaginative ways to turn innocent-looking prison furniture and fixtures into very naughty sexual bondage toys. Some of them were as simple as ornate curves and curlicues and holes carved into the furniture that served as excellent tying-off points for various bondage sex positions. Others were things like ceiling-mounted fixtures that looked like garage door openers, and functioned a lot like garage door openers, but were not being used as garage door openers. (Cue ominous sexy music.)
With that kind of set-up I was able to write an awful lot of sexual bondage rape scenes. That provided plenty of taboo erotica content, but it also served more writerly purposes. When mainstream writers have a character who’s a captive or a slave the sexual elements are either ignored or glossed over. The most famous example being Slave Leia from Star Wars, captured by a gangster and forced to wear a slave collar and chain and the infamous metal bikini before Jabba and his henchmen, but otherwise unmolested, so far as we know.
(Fans of both sexes had a field day with “so far as we know” of course. Google “slave leia porn” and watch out for the avalanche!)
I, being an erotica writer, have carte blanche to write about the sex as much as I want, which gives me the ability to really convey just how much sex Kim experiences, and how intense that sex is. Readers get a much clearer idea of just how thoroughly and frequently fucked Kim and the other inmate sex slaves are. The drama and intensity and raunchiness of sex slavery isn’t watered down or ignored entirely, and that, IMHO, makes for a dramatically better story, no matter how over the top raunchy and frequent all the sex scenes are.
What I’m saying is that I had a lot of imaginative fun writing Club Rape but that I also think I wrote a pretty good story. And that I hope and believe that readers will have a lot of fun reading it.
