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Wednesday, November 3, 2021

"Attack of the 100 Foot Virgin" Now On Smashwords

 

Get the Smashwords version of "Attack of the 100 Foot Virgin here!

(On the left we have the Amazon cover, on the right we have the Smashwords cover. We’ll be referencing the cover art shortly, but go ahead and look if you want to.)

“Attack of the 100-Foot Virgin” is the third book in the Jinkie Jenkins Adventures. I’m moving it to Smashwords and in doing so I edited it a bit, finding a few typos and so forth. It’s still the same story, just cleaned up a bit.

However, I did make a few text changes for editorial reasons, and I did that as a direct result of a keyword research I did. I was unhappy with the keywords I used on Amazon and tried to think up a few more. The scene on the cover involves the protagonist being sold at a slave auction in a city square, stark naked and in bondage, of course. To help prospective customers see the merchandise, cambots project a hundred foot tall image of her (hence our title). There are also a lot of other elements to the scene, and though no actual flying saucers, there’s stuff that’s pretty close. And of course there’s a frightened crowd.


Naturally, our virginal heroine finds it exquisitely humiliating to be paraded about naked, her every feature gigantic and clearly visible to the crowd in the square. And yet, I never researched the keyword “humiliation.” So I did, and I hit a goldmine. On Amazon, I got over 20,000 hits on the Kindle Store for books with the keyword “humiliation.” That’s HUGE. But I figured that a lot of hits might come from non-sexy books with that keyword. So I did a search for the phrase “humiliation erotica” and got over 20,000 hits. Which means of course that practically every book that had “humiliation” as a keyword is erotica. 

It’s a HUGE niche.

Well I was all over that and tried all sorts of phrases and variations of the “humiliation” keyword. And I also rewrote a few scenes to heighten Jinkie’s humiliations.

I also redid the cover, as you see up top. The old cover was just brain-dead. Zeroing in the scene with giant Jinkie in the square was a no-brainer. And I went to considerable effort to get an image of her looking gigantic in a city, poised to wreak havoc, with a ballgag in her mouth and cuffs on her wrists.  Which worked out fine as far as it went, but it didn’t go nearly far enough. 

When I looked at the cover for Smashwords, I knew it could be improved, and it was kind of obvious how. The sky, that freaking gray sky was empty and dull. It did nothing. I realized that when I had created the original image, I had been unconsciously (i.e., stupidly) emulating the promo art for “Attack of the 50-foot Woman.” My image is more or less static except for the woman. But in the promo poster, things are happening: cars and trucks are crashing and falling of elevated roadways, people are fleeing in terror, she’s got a car in her hand, it’s got it going on (except, that, like my art, the sky contains nothing but text).

I knew I wanted a pulp kinda cover, so I went in and actioned things up. I put in flying saucers, a dramatic bloody red sky with giant moon/planet, and people running in terror. All of it clip art, mind you, and not particularly UNIFIED clip art in terms of technique. The base art from both cover versions is 3-D virtual world art from Second Life. The people running in the foreground are 2D pen and ink with watercolor comic art. The spaceships are 3D graphics and go fairly nicely with the Second Life art, though their shading is better. And the sky in the background is a photo. I used a filter to give the Second Life art, especially Jinkie, to work better with the cartoon figures in the foreground, but overall, given my limitations (I’m not an artist) I thought I improved it a lot.

(That said, an artist undoubtedly would have done a MUCH better job than I did, starting with giving the image a graphically unified look, and continuing with doing a better job of designing the image, and beyond that doing a better job of implementing the design. A really good artist would come up with a cover concept that would put mine to shame. For example, see the cover to "Adventures of Bondor Woman" which was done by a real artist. When and if my books ever start making decent money – ahem, I mean more decent than the millions they already make – no one will be happier to pay artists to do the covers than me.)

Still, I think the cover is fairly effective at saying, “Here be funny, sexy science fiction.” And I’ve seen pro covers that were … much worse about visually suggesting the book’s contents.

Anyway, that’s enough nattering. Here’s da blurb:


Oh, noes! Interstellar sex reporter Jinkie Jenkins has been kidnapped! What happened to her?

Well we can't tell all, not in this blurb anyway. But in the writhing mass of science fiction adventure, hilarity and kinky sex slave fun that some call “Attack of the 100-Foot Virgin” we DO tell all.

And in this blurb, there are some things we CAN say. We can tell you that on Alderan, Jinkie is now known as “The Riotess of Cyzlyk City” and is wanted by the authorities there on numerous charges. We can tell you that Marty Stu the “non-sentient” glow ball bot becomes a Forest Management Services bot and is eaten a couple of times. That the Mayor of Cyzlyk City comes to believe that a distant city called "France" has declared war on Cyzlyk City, for perfectly good and sufficient Jinkie-related reasons. And we can't tell you why Jinkie HATES being a hundred-foot-tall virgin in the middle of Cyzlyk City square. Wait a minute, we can: it's because she's naked and in bondage, and like, totally humiliated. We just can't tell you why that happens, or why Jinkie is naked. But it's perfectly rational... on Alderan.

We also can't tell you why the Rebellion, the mercs, Grab Ass, John Quill, the Borkistanis and the Cyzlyk City copbots all want to get their hands on Jinkie and hotmeat, or why Marty Stu got defenestrated. We can't tell you hotmeat's former name, or Marty Stu and the Interstellar Inquirer's fates.

You'll just have to read the book to find out, you ridiculously silly human, you.

This novel is over 55,000 words long and we can tell you that it may well be the funniest thing Pat Powers has ever written. Especially that one scene. No, we can't tell you what it is. You'll know.

Wednesday, October 13, 2021

"Jinkie Jenkins On Sexquest Station" Now on Smashwords

 


This is a port of a story I wrote for Amazon, the main difference is the cover I did for this one. But I am very pleased with the way the cover came out, especially the sexy, sexy smile on the slavegirl (It's Jinkie's slave hotmeat, not Jinkie herself, who is pictured, as Jinkie is not all that knowing). Here's da full blurb:

The filthiest sex hole in the galaxy! Harsh words indeed to describe a quiet little sexual amusement park set up on a giant space station, but that's how reporter Jinkie Jenkins of the Interstellar Inquirer felt about it after a few hours spent reporting on the goings-on at Sexquest Station.

Jinkie's sexually voracious slave girl hotmeat, who came along to help virginal Jinkie out with the sexy stuff, was all over Sexquest Station. That's because Sexquest Station swarmed with sylphs, as naked consensual sex slave girls were called in the parlance of the Human Quadrant. The sylphs and their owners did one sexy thing after another. There were naked dildo jacks and smiling contests (to see which sylph could keep a smile on her face the longest while being sexually molested) and there was even a flower show (the flowers being shown were nestled between the spread legs of slave girls).

Jinkie grew much more enthusiastic about Sexquest Station when she discovered that the Borkistani slavers were operating a slave training pen at the station, as well as providing amusements. The Borkistanis were legal slavers, but it was rumored that the Borkistanis did considerably less legal things than consensual slaving out in the crapsack worlds beyond the borders of the Human Quadrant.

The Borkistanis were even rumored to have kidnapped the entire planet of Alderan! It was the biggest news story in the Human Quadrant, and Jinkie was desperate to cover it instead of the sexy, sexy, far too sexy goings-on of the slavegirls on Sexquest Station.

Will Jinkie get involved with the Borkistanis despite her boss' strict orders not to? And will the overwhelmingly sexy goings-on of the sylphs on Sexquest Station bring the powerful, unknown feelings that they create in Jinkie to a head?

Guess you'll just have to read the novelette to find out!

This story is over 30,000 words long and is Number 2 in the Jinkie Jenkins, Interstellar Sex Reporter series.

Tuesday, October 5, 2021

"The Also-Ran" Now On Smashwords

 



Here’s the pic that inspired the story. 

Can’t you almost see her sash and tiara as she poses in her cage?  When I saw this image I thought “Beauty pageant contestant in a cage … what can I do with that?” I thought what I’d do was write a short story or a novella. Instead I wrote a novel. Happens sometimes.

Basically this is a very familiar story from erotica: a billionaire falls for a beautiful woman and kidnaps her and rapes her and makes her his sex slave, then they fall in love and live happily ever after. Honestly, even in romance days before erotica they had “bodice rippers” that were basically about powerful men raping helpless women and then the two of them fall in love. It’s a very common theme in romances.

Generally the darker aspects of these stories are glossed over. There’s very little consideration given to the possibility that the woman will be killed. But my heroine has seen enough Lifetime movies to know that a possible outcome to being kidnapped, raped and held captive for more rape, is being found dead in a ditch or a pond later. In order to deal with her captor, she has to figure out what’s going on with him psychologically. Is he a whacko who might kill her at any moment or a normal man who can be reasoned with? 

At the same time, she has to deal with her own feelings, as she discovers she’s a natural submissive who likes being bound and fucked. She also kind of likes being raped. This is all new stuff to her, but being psychologically and socially grounded, Stephanie’s able to deal with that fairly easily.

I also give James’ psychology some attention. Billionaires have become a cliché in romances. To make James fresh I didn’t go with the tragic, brooding typecasting that’s normal for billionaire main characters in a romance. Instead, I made James brilliant and highly intelligent about math and money and sex, and almost completely clueless in other ways. I also got a chance to work a little socialist propaganda into the story, showing how being a financial speculator, working with amoral people and companies in an amoral capitalist system that sees all laws, rules, regulations and morals as just barriers to be worked around, worked through or simply broken in the quest to make more money, eventually corrupts the mind and soul of a financier.

And of course the whole point of this for many readers is going to be the rape and sexual bondage scenes, and I went full-bore on those, too. Setting up the conflict as strongly as I did, I was able to write some really strong rape scenes, with powerful emotions and some imaginative sex toys. James with his sexual expertise and mildly obsessive approach to sexual bondage, has all the toys and all the techniques, and Stephanie is brand new to them (though she’s not new to sex). I had the opportunity to write some powerful sex scenes, and I did. What’s more they fit right in with the psychological elements of my story. 

I think the whole novel came together very well, with the psychological, social and sexual themes intertwining nicely.  I hope you think so, too. That said, here’s da blurb:


When Stephanie Ann Steckler didn’t win anything at the Miss Grits Beauty Pageant, she broke down crying. This was of course very wrong. In beauty pageants, only the winners cry. Losers are expected to smile.

Texas billionaire James Pugh liked to have football games, cycling events and beauty pageants on in the background while he did the intense financial speculation that made him his billions. And when he saw Stephanie crying in the background as the winners were crowned, she stole his heart.

James, an oligarch and an alpha male, was accustomed to taking what he liked when he wanted it. When Stephanie stole his heart, he abducted Stephanie’s entire body and introduced her to the world of bondage and forced sex slavery. Her reaction surprised her. And James’ reaction to getting to know Stephanie surprised him. Then Stephanie surprised him in other ways, and James surprised her in other ways. Nothing went the way either of them thought it would or feared it might.

James thought he was a Master of the Universe, but in Stephanie, he might just have found his match. Stephanie, who thought she was average and normal, discovered she was neither of these things. Will their relationship survive its very rocky beginnings and sail into the sunset?

You’ll have to read the story to find out.

This 45,000 word novel is a contemporary erotic romance featuring an alpha male hero, a submissive heroine and a happily ever after.


Thursday, September 9, 2021

Jinkie Jenkins, Interstellar Sex Reporter: The Story on Durango 3 Now on Smashwords

 


Da blurb:

"I'm going to be a WHAT? A sex reporter? And my beat is going to be WHAT?”

Those are the first words of newly hired reporter Jinkie Jenkins, right out of journalism school, when her editor, Grabthar Assurilogan of the Interstellar Inquirer, put her on the Sylphs of Space beat, aka the sex beat. Jinkie was outraged. She wanted to cover the crime beat, specifically, she wanted to investigate the most exciting story in the Human Quadrant, the kidnapping of an entire planet.

But Assurilogan insisted that she was on the sex beat, take it or leave it, and Jinkie was a reporter, darn it, so she took the sex beat, even though she was from a planet where women were encouraged not to think about sex, much less have sex, prior to marriage. And since moving offplanet, she had stayed true to her planet's sex values, or tried to.
Yet here she was, a sex reporter, and on the Sylphs of Space beat, yet!

Sylphs were a popular cultural phenomenon on most planets, sex-positive, submissive women who liked playing at being sex slaves and other things. And thanks to advanced nanotech that let them shape their bodies and minds to suit their desires, play they did. Bound and gagged and chained and collared, they played with gusto at pleasure. People were fascinated by the doings of sylphs and the people who played with them, which is why they were a staple of sex reporting.

On her first assignment, Yahoo City on the rural planet of Durango 3, Jinkie will find all sorts of people. There will be her local guide Pea Eye the woman wrangler, the most masculine man she has ever met. There will be hotmeat, the wise sylph. There will be hucow stampedes and barroom brawls. And there will be her editor Grabthar, harrying her via interstellar holograms about the chaos that Jinkie leaves in her wake as she covers the sex lives of cowboys, hucows and ponygirls on Durango 3.

Can innocent and chaste Jinkie cover the story of of this wild women of outer space without being overwhelmed by the libidinous promptings of her long-stifled sex urges? And will Jinkie ever make any progress in breaking the planet kidnapping story open?

You'll just have to read this lighthearted, sexy space opera to find out. It's a little over 23,000 words. If you're looking for a funny science fiction novella set in an interstellar empire where human beings use nanotech to alter their bodies and minds to suit their fun, kinky sexual urges, you've found it!

This book is part 1 of the Jinkie Jenkins, Interstellar Sex Reporter trilogy. Stay tuned for Part 2: Jinkie Jenkins on Sexquest Station.

Wednesday, September 1, 2021

Office Slave Now On Smashwords for $1.99

 

It's a fun little novelette about how office work will proceed in the future of tomorrow! Da blurb:

It's the future. Robots have taken almost all of the jobs and most people live on Basic Income. They do not work, and their lives are an endless party, or an endless pursuit of their dreams, hobbies and ambitions. Nobody has to do anything just to survive.

Still, some corporations do need at least a few human beings to work for them, if only to provide human input on their products and services. Thunder Muffin Corporation is one such corporation. So how does a corporation attract human beings away from their endless parties and make them care about the WEINUS? Or the VEINUS? Or the heinous ANNUS?

By making work MORE FUN than FUN, that's how. And that's why Jenny became a corporate slave girl for Thunder Muffin Corporation, the lowest, humblest job the corporation had to offer. But if you think being a corporate slave girl is endless drudgery, that's where you're wrong. Drudgery is for robots! Slave girls are for kinky sex and bondage games, an important part of keeping any corporation humming along smoothly. Jenny will discover how much fun there is to be had in breakrooms, in hallways, in deserted meeting rooms, and in crowded workrooms, including but not limited to the slavegirl bouncy ball bondage race! Plus a mysterious message, corporate insider info and skullduggery, and a heaping helping of BDSM games!

If you're up for some upbeat, sexy BDSM fun, set your brain on robot cruise control and enjoy this ride.

This novelette is just over 15,500 words long and is part of the Basic Income universe.